Helvetica Wow (Blood-Snow), 2025
TTF File
[Work No. 56]
Hipatia Press Ed. 63 p. (12 x 0,5 x 24 cm)
ISBN: 978-84-129198-2-0
[Work No. 57]
Work No. 58, 2026
(Detail)
Work No. 58, 2026
(Detail)
Work No. 58, 2026
(Detail)
Work No. 58, 2026
(Detail)
Work No. 58, 2026
10-stage Marx-type high-voltage impulse generator with an estimated output of 100 kV, 12 V battery connected in series, Arduino board, electrical wiring, high-voltage capacitors and resistors, table, and electrically insulating dielectric gloves (Class 2). 200 × 80 × 80 cm
All photos by Pol Masip
Work No. 58, 202610-stage Marx-type high-voltage impulse generator with an estimated output of 100 kV, 12 V battery connected in series, Arduino board, electrical wiring, high-voltage capacitors and resistors, table, and electrically insulating dielectric gloves (Class 2). 200 × 80 × 80 cm
All photos by Pol Masip
4K video. 1’09’’
[Work No. 43]
Festival (Drawing No. 14), 2023
Charcoal on paper
29.7 x 42 cm
Festival (Drawing No. 76), 2023
Charcoal on paper
29.7 x 42 cm
Festival (Drawing No. 92), 2023
Charcoal on paper
29.7 x 42 cm
Festival (Drawing No. 109), 2023
Charcoal on paper
29.7 x 42 cm
Festival (Drawing No. 24), 2023
Charcoal on paper
29.7 x 42 cm
Festival (Drawing No. 32), 2023
Charcoal on paper
29.7 x 42 cm
Festival (Drawing No. 61), 2023
Charcoal on paper
29.7 x 42 cm
Festival (Drawing No. 69), 2023
Charcoal on paper
29.7 x 42 cm
Festival (Drawing No. 71), 2023Charcoal on paper
29.7 × 42 cm
Festival, 2023 (Buy)
Ressò Ed. 210 p. (19,5 x 1,5 x 26 cm)
ISBN: 978-84-128859-1-0
[Work No. 41]
Candy Charcoal, 2024
Edible charcoals
Edition of 50 packages
[Work No. 40]
Candy Charcoal, 2024
Edible charcoals
[Work No. 40]
Candy Charcoal, 2024
OTF File
[Work No. 39]
Work No. 38 (Sent to ???), 2023-2026
Acrylic on linen and letter
81 x 65 cm
Work No. 37 (Sent to ???), 2023-2026 Acrylic on linen and letter
81 x 65 cm
Work No. 36 (Sent to ???), 2023-2026
Acrylic on linen and letter
81 x 65 cm
Work No. 35 (Sent to ???), 2021-2026
Acrylic on linen and letter
81 x 65 cm
Work No. 24 (Sent to ???), 2021-2026
Acrylic on linen and letter
81 x 65 cm
Work No. 34, 2023
Traffic fine
Work No. 32, 2022
(Detail)
Work No. 32, 2022
Steel and bioethanol
Work No. 31, 2022
Steel and bioethanol
Work No. 30, 2022
Steel and bioethanol
Colza, 2022Site-specific. Curated by Pipistrello
All photos by Roberto Ruiz
Colza, 2022Site-specific. Curated by Pipistrello
All photos by Roberto Ruiz
Colza, 2022Site-specific. Curated by Pipistrello
All photos by Roberto Ruiz
Colza, 2022Site-specific. Curated by Pipistrello
All photos by Roberto Ruiz
Colza, 2022Site-specific. Curated by Pipistrello
All photos by Roberto Ruiz
Colza, 2022Site-specific. Curated by Pipistrello
All photos by Roberto Ruiz
Colza, 2022Site-specific. Curated by Pipistrello
All photos by Roberto Ruiz
Colza, 2022Press release. Curated by Pipistrello
Colza, 2022
Site-specific. Curated by Pipistrello
All photos by Roberto Ruiz
Video still from Work No. 39, 2022
HD video. 0'08''
Video still from Work No. 37, 2022
HD video. 0'07''
Video still from Work No. 36, 2022
HD video. 0'05''
Work No. 29 (Sent to ITER Instituto Tecnológico y de Energías Renovables de Tenerife), 2021
Acrylic on linen and letter
73 x 60 cm
Work No. 29 (Sent to ITER Instituto Tecnológico y de Energías Renovables de Tenerife), 2021
Acrylic on linen and letter
73 x 60 cm
Tirar la llave para romper la puerta, 2021
La Limonera, Santa Cruz de Tenerife. Exhibition view
All photos by La Limonera and Mike Batista
Work No. 28, 2021
(Detail)
Work No. 28, 2021
(Detail)
Work No. 28, 2021
Steel and coal 133 x 56 x 53 cm
Work No. 28, 2021
Steel and coal 133 x 56 x 53 cm
Conceptography No.2, 2021
Charcoal on wall 143 x 97 cm
Conceptography No.1, 2021
Charcoal on wall 157 x 103 cm
Tirar la llave para romper la puerta, 2021
La Limonera, Santa Cruz de Tenerife. Exhibition view
All photos by La Limonera and Mike Batista
Tirar la llave para romper la puerta, 2021
Transfer on wall
Tirar la llave para romper la puerta, 2021
La Limonera, Santa Cruz de Tenerife. Exhibition view
All photos by La Limonera and Mike Batista
Test of increase, No. 1, 2020
Whiteboard marker on polyester panel
51 x 23 x 0,3 cm
Test of increase, No. 2, 2020
Whiteboard marker on polyester panel
51 x 23 x 0,3 cm
Test of increase, No. 1 and No. 2, 2020
Silicone on polyester panel
51 x 23 x 0,3 cm
Test of increase, No. 3, 2020
Silicone on polyester panel
51 x 23 x 0,3 cm
Test of increase, No. 3 and No. 4, 2020
The work I shouldn't show, 2020
Whiteboard marker on PVC pipes
100 x Ø 12 cm (each one)
Diagrammatics Reasoning of an Ignorant, 2020 (Installation view)
Everything Must Be Rendered Perfectly: Ch. 3 ♥🎀, Commissioned by soloshow.online
Diagrammatics reasoning of an ignorant No. 1, 2020
Whiteboard marker on polyester panel
55 x 34 cm
Diagrammatics reasoning of an ignorant No. 1 and No. 2, 2020
Test of limit, 2020
(Detail)
Test of limit, 2020
Whiteboard marker on Serrano hams
Diagrammatics Reasoning of an Ignorant, 2020 (Installation view)
Everything Must Be Rendered Perfectly: Ch. 3 ♥🎀, Commissioned by soloshow.online
Work No. 24 (Sent to Guillaume Néry), 2021
Acrylic on linen and letter
81 x 65 cm
Work No. 23 (Sent to Fischerwerke GmbH & Co. KG), 2020
Acrylic on linen and letter
81 x 65 cm
Work No. 22 (Sent to Esther Leslie), 2020
Acrylic on linen and letter
81 x 65 cm
Work No. 21 (Sent to KubaParis), 2020
Acrylic on linen and letter
81 x 65 cm
Work No. 20 (Sent to Bernard Piffaretti), 2020
Acrylic on linen and letter
81 x 65 cm
Work No. 17 (Sent to Bayer AG), 2020
Acrylic on linen and letter
92 x 73 cm
Work No. 18 (Sent to Marlie Mul), 2020
Acrylic on linen
65 x 54 cm
Work No. 19 (Sent to MareNostrum Barcelona Supercomputing Center), 2020 (Returned)
Acrylic on linen and letter
81 x 65 cm
Work No. 16 (Sent to Santa Claus Main Post Office), 2020
Acrylic on linen and letter
81 x 65 cm
Work No. 15 (Sent to ISO International Organization for Standardization), 2020 (Returned)
Acrylic on linen and letter
81 x 65 cm
Work No. 14 (Sent to Zuse Institute Berlin), 2020 (Returned)
Acrylic on linen and letter
92 x 73 cm
Work No. 13 (Sent to Seth Price), 2020
Acrylic on linen and letter
92 x 73 cm
Perforated Untitled Font, 2019
OTF File
Perforated Untitled Font, 2019
OTF File
Work No. 9 , 2019
(Detail)
Work No. 9 , 2019
Oil on acrylic sheet and reversed frame
Work No. 8 , 2019
Oil on acrylic sheet and reversed frame
Work No. 7 , 2019
Oil on acrylic sheet and reversed frame
Work No. 6, 2019
Oil on acrylic sheet and reversed frame
Work No. 5, 2019
(Detail)
Work No. 4, 2019
(Detail)
Work No. 5, 2019
Perforated cardboard box, birthday candles, gift ribbons, 3D printed (ABS) screws and nuts (Left-hand thread), 3D printed (ABS) bottle and cap (Left-hand thread), calzone and saliva
40 x 30 x 25 cm
Work No. 4, 2019
Perforated cardboard box, birthday candles, gift ribbons, 3D printed (ABS) screws and nuts (Left-hand thread), 3D printed (ABS) bottle and cap (Left-hand thread) and saliva
40 x 30 x 25 cm
Work No. 4, 2019
Perforated cardboard box, birthday candles, gift ribbons, 3D printed (ABS) screws and nuts (Left-hand thread), 3D printed (ABS) bottle and cap (Left-hand thread) and saliva
40 x 30 x 25 cm
Work No. 4, 2019
(Detail)
Work No. 3, 2019
Perforated cardboard box, birthday candles, gift ribbons, 3D printed (ABS) screws and nuts (Left-hand thread), 3D printed (ABS) bottle and cap (Left-hand thread) and saliva
40 x 30 x 25 cm
Open back (2020) from group show El món serà Tlön, at Bòlit, Girona. Installation view
Curated by Jordi Antas
Work No. 10, 2019
Inverted wood-burning stove and calzone pizza
Is it possible to consider artistic work as a form of free energy production?, 2019
Letter
Open back (2020) from group show El món serà Tlön, at Bòlit, Girona. Installation view
Curated by Jordi Antas
Open back (2020) from group show El món serà Tlön, at Bòlit, Girona. Installation view
Curated by Jordi Antas
Signature No.1, 2018
Signature (detail from ID document)
Video still from Work No. 11, 2020
HD video. 3'46''
Video still from Work No. 11, 2020
HD video. 3'46''
Work No. 1, 2019
Polymethyl methacrylate panel, birthday candles, wall plugs bitten by dog, 3D-printed screws (ABS), wrapping paper and wall dust
180 x 90 x 5 cm
Work No. 1, 2019
(Detail)
The Spark in the Flame, 2018
Letter
Work No. 2, 2019
Polymethyl methacrylate panel, birthday candles, charcoal, 3D-printed screws (ABS), wrapping paper and wall dust
180 x 90 x 5 cm
Work No. 2, 2019
(Detail)
Informational Performance, 2018
Off-site show at a private garage, Palafrugell. Installation view
Posted on tzvetnik.online
When animal impulses produce cultural objects No. 1. (Feedback, 2/2), 2018 + Eraser Work Addition No. 1, 2018
PVC panel bitten by human, Fischer wall plugs bitten by human, cushions, dog food bitten by human
132 x 86 x 21 cm
When animal impulses produce cultural objects No. 1. (Feedback, 2/2), 2018
Dog food bitten by human
When animal impulses produce cultural objects No. 1. (Feedback, 1/2), 2018
Dog bed, wall plugs made in China and bitten by dog, Serrano ham fat, plastic chinese soup food container bitten by dog
90 x 60 x 20 cm
When animal impulses produce cultural objects No. 1. (Feedback, 1/2), 2018
(Detail)
Oriented Combustions (Sketch Research No. 2), 2018
Oriented Combustions (Sketch Research No. 2. Feedback, 1/2), 2018
PVC bucket, natural charcoal scrawl on paper, laser photocopy, high voltage transformer (DC 3v to 400kV)
Ø 26 cm x 31 cm
Oriented Combustions (Sketch Research No. 2. Feedback, 1/2), 2018
(Detail)
Oriented Combustions (Sketch Research No. 2. Feedback, 1/2), 2018
(Detail)
Oriented Combustions (Sketch Research No. 2. Feedback, 2/2), 2018
PVC lid, PVC hose filled with toner, natural charcoal
Ø 26 cm x 7 cm
![Installation view “Informational Performance†2018 Off-site Show at a private garage, Palafrugell Text [pdf]](images/scroll/ricardo-trigo-97.jpg)
Informational Performance, 2018
Off-site show at a private garage, Palafrugell. Installation view
Posted on tzvetnik.online
Bad Weather for Mechanical Habits, Good Weather for Drunks, 2016 (Installation view)
From group show Crisis? What crisis? at TEA, Santa Cruz de Tenerife
Curated by Ramon Salas and Beatriz Leucona
All photos by Maria Laura Benavente Sovieri
Bad Weather for Mechanical Habits, Good Weather for Drunks, 2016 (Installation view)
From group show Crisis? What crisis? at TEA, Santa Cruz de Tenerife
Curated by Ramon Salas and Beatriz Leucona
All photos by Maria Laura Benavente Sovieri
Bad Weather for Mechanical Habits, Good Weather for Drunks, 2016 (Installation view)
From group show Crisis? What crisis? at TEA, Santa Cruz de Tenerife
Curated by Ramon Salas and Beatriz Leucona
All photos by Maria Laura Benavente Sovieri
Serial Deduction No. 2, 2016
Bitten polymethyl methacrylate panel, bitten Fischer wall plugs, industrial screws and wall dust
175 x 95 cm
Serial Deduction No. 2, 2016
(Detail)
Serial Deduction No. 2, 2016
(Detail)
Serial Deduction No. 2, 2016
(Detail)
Handy Rule No. 5, 2016
Polymethyl methacrylate panel, cork stoppers, PVC hoses, bulk wine and wall dust
175 x 95 cm
Handy Rule No. 5, 2016
(Detail)
Handy Rule No. 5, 2016 and Serial Deduction No. 2, 2016
Bad Weather for Mechanical Habits, Good Weather for Drunks, 2016 (Installation view)
From group show Crisis? What crisis? at TEA, Santa Cruz de Tenerife
Curated by Ramon Salas and Beatriz Leucona
All photos by Maria Laura Benavente Sovieri
Preresolution No. 6, 2016
Broken panel of Polymethyl methacrylate, industrial screws, 3D-printed screws (ABS), wall plugs and wall dust
180 x 100 cm
Preresolution No. 6, 2016
(Detail)
Fireplace No.1, (Bad Weather for Mechanical Habits, Good Weather for Drunks), 2016
Bioethanol fireplace, bioethanol, Fireproof ABS filament for 3D printing, cork stopper, 3D-printed screws (cooper), Fischer wall plug, wall dust and artificial snow. 77,2 x 45,8 x 21 cm
Fireplace No.1, (Bad Weather for Mechanical Habits, Good Weather for Drunks), 2016
(Detail)
Oriended Combustions (Mechanical Miracle), 2016
Two polyester panels, industrial screws, 3D-printed screws (ABS), Fireproof ABS filament for 3D printing, Laser cutting on plastic, soot and wall dust
180 x 95 cm
Oriended Combustions (Mechanical Miracle), 2016
(Detail)
Oriended Combustions (Mechanical Miracle), 2016
(Detail)
Serial Deduction No. 3, 2016
Two polyester panels, cork board, artificial snow, industrial screws, 3D-printed screws (ABS), and wall dust
180 x 95 cm
Serial Deduction No. 3, 2016
(Detail)
Bad Weather for Mechanical Habits, Good Weather for Drunks (feedback, 1/2), 2016
Wine barrel, 50 liters of wine and sodium polyacrylate (artificial snow)
Bad Weather for Mechanical Habits, Good Weather for Drunks (feedback, 2/2), 2016
Wood box, 2 liters of wine, 2 cork stoppers, sodium polyacrylate (artificial snow), polymethyl methacrylate, 3D-printed screws (ABS) and wall dust
20 x 10,5 x 34,2 cm
Bad Weather for Mechanical Habits, Good Weather for Drunks (feedback, 2/2), 2016
(Detail)
Uncorked, 2016
Natural cork stopper
Uncorked, 2016
Synthetic stopper
Drunk Arial, 2016
OTF files
Destreza y torpeza, X, 2017
Chopsticks and bitten Fischer wall plugs
Exhibition view Destreza y torpeza común (2017) at Cosa, Madrid
Curated by Maria Menchaca and Alejandro Castañeda
All photos by Ignacio Leal
Destreza y torpeza, Y, 2017
T-shirt with wine stains washed with enzymatic detergent
Destreza y torpeza, Y, 2017
(Detail)
Serial Deduction No. 4, 2017
Four wooden boxes for transporting commercial wine, 16 bulk wine bottles, natural cork stoppers, synthetic cork stoppers, broken plexiglass panel, 3D printed screws, industrial screws, 3D printing filaments, dried pork intestines, detergent with enzymes and wall dust
140 x 40 x 40 cm
Serial Deduction No. 4, 2017
(Detail)
Serial Deduction No. 4, 2017
(Detail)
Serial Deduction No. 4, 2017
(Detail)
Serial Deduction No. 4, 2017
(Detail)
Destreza y torpeza, Z, 2017
Ultrasonic Insect repellent and Ultrasonic mouse repellent
Audio, 3 min
Video Still from Informacionalismo. Formas de colonización del progreso técnico sobre prácticas artísticas, 2017 (phd)
HD video. 52'57''
Video Still from Informacionalismo. Formas de colonización del progreso técnico sobre prácticas artísticas, 2017 (phd)
HD video. 52'57''
Video Still from Informacionalismo. Formas de colonización del progreso técnico sobre prácticas artísticas, 2017 (phd)
HD video. 52'57''
Informacionalismo. Formas de colonización del progreso técnico sobre prácticas artísticas. 2010 – 2016; Performance during the conferences of PROTOTYPES & PLASTICITY, METHODOLOGIES AND TRANSFER PROCESSESS AROUND MATTER (2017). Facultat de Belles Arts, Universitat de Barcelona.
Serial Deduction No. 1, 2016
Polymethyl methacrylate panel, industrial screws, detergent and pork casings
150 x 150 cm
Serial Deduction No. 1, 2016
Polymethyl methacrylate panel, industrial screws, detergent and pork casings
150 x 150 cm
Serial Deduction No. 1, 2016
(Detail)
Serial Deduction No. 1, 2016
(Detail)
Preresolution No. 5, 2016
Broken panel of Polymethyl methacrylate, industrial screws, 3D-printed screws (ABS), wall plugs and wall dust
150 x 100 cm
Preresolution No. 5, 2016
Broken panel of Polymethyl methacrylate, industrial screws, 3D-printed screws (ABS), wall plugs and wall dust
150 x 100 cm
Preresolution No. 5, 2016
(Detail)
Preresolution No. 5, 2016
(Detail)
Performing Attachments, 2014 - ongoing
Performing Attachments, 2014 - ongoing
Exhibition view, What's Up Glitches (2016) at Area 60, TEA Tenerife Espacio de las Artes.
Artists: Javi Corzo, Alby Alamo, Ricardo Trigo. Curated by Nestor Delgado. Photos by Teresa Arocena.
Exhibition view, Background Immunity (2016) at La Capella, Barcelona
All photos by Pep Herrero
Background Immunity, 2016
HD video. 15'00''
Background Immunity, 2016
HD video. 15'00''
Exhibition view, Background Immunity (2016) at La Capella, Barcelona
All photos by Pep Herrero
Exhibition view, Background Immunity (2016) at La Capella, Barcelona
All photos by Pep Herrero
Handy Rule No. 4, 2016
Two polymethyl methacrylate panels, industrial screws, 3D-printed screws (ABS), soap and wall dust
180 x 100 cm
Handy Rule No. 4, 2016
(Detail)
Handy Rule No. 4, 2016
(Detail)
Handy Rule No. 3, 2016
Two polymethyl methacrylate panels, industrial screws, 3D-printed screws (ABS), soap and wall dust
180 x 100 cm
Handy Rule No. 3, 2016
(Detail)
Preresolution No. 3, 2016
Broken panel of polymethyl methacrylate, industrial screws, 3D-printed screws (ABS) and wall dust
180 x 100 cm
Preresolution No. 3, 2016
(Detail)
Preresolution No. 6, 2016 + Eraser Work Addition No. 3, 2018
Broken panel of polymethyl methacrylate, industrial screws, 3D-printed screws (ABS) and wall dust
180 x 100 cm
Handy Rule No. 2, 2016
Two polyester panels, industrial screws, 3D-printed screws (ABS), commercial aspirin, domestically synthesised aspirin and wall dust
180 x 100 cm
Handy Rule No. 2, 2016
(Detail)
Handy Rule No. 1, 2016
Two polyester panels, industrial screws, 3D-printed screws (ABS), commercial aspirin, domestically synthesised aspirin and wall dust
180 x 100 cm
Handy Rule No. 1, 2016
(Detail)
Handy Rule No. 1, 2016
(Detail)
Oriented Combustions (Bayer in Leverkusen, 1988, and Bayer in Elberfeld, 1881), 2016
Two polyester panels, industrial screws, 3D-printed screws (ABS), soot and wall dust
170 x 90 cm
Oriented Combustions (Bayer in Leverkusen, 1988, and Bayer in Elberfeld, 1881), 2016
(Detail)
Oriented Combustions (Bayer in Leverkusen, 1988, and Bayer in Elberfeld, 1881), 2016
(Detail)
Oriented Combustions (Bayer in Leverkusen, 1988, and Bayer in Elberfeld, 1881), 2016
Two polyester panels, industrial screws, 3D-printed screws (ABS), soot and wall dust
170 x 90 cm
Oriented Combustions (Bayer in Leverkusen, 1988, and Bayer in Elberfeld, 1881), 2016
(Detail)
Oriented Combustions (Bayer in Leverkusen, 1988, and Bayer in Elberfeld, 1881), 2016
(Detail)
Stove No. 1, (Background Immunity), 2016
Pellet stove and 3D copper screws
Stove No. 1, (Background Immunity), 2016
Pellet stove and 3D copper screws
Stove No. 1, (Background Immunity), 2016
Pellet stove and 3D copper screws
![Download: Conversation between Ricardo Trigo and David Armengol , 2016 [pdf]](images/scroll/ricardo-trigo-98.jpg)
Stove No. 1, (Background Immunity), 2016
Pellet stove and 3D copper screws
Retained Obstruction No.2, 2014
125 x 125 cm Dibond, Pulled off plastic protector, 3 M6 Allen screws, 1 3D printed and modified M6 Allen screw, remains of wall dust on the floor
Retained Obstruction No.2, 2014
(Detail)
Retained Obstruction No.2, 2014
(Detail)
Retained Obstruction No.1, 2014
125 x 125 cm Dibond, Pulled off plastic protector, 3 hexagonal M10 screws, 1 3D printed hexagonal M10 screw, remains of wall dust on the floor
Retained Obstruction No.1, 2014
(Detail)
Retained Obstruction No.1, 2014
(Detail)
Efficient piece with the video “Huida Salvaje, 2010”, 2014
Projector mount, computer and rojector with a burnt-out bulb. HD video. 11'48''
Efficient piece with the video “Huida Salvaje, 2010”, 2014
Projector mount, computer and rojector with a burnt-out bulb. HD video. 11'48''
Figures, 2013
A2 Electroluminescent panel with disassembled Flip-open frame
130 x 130 cm
Figures, 2013
A2 Electroluminescent panel with disassembled Flip-open frame
130 x 130 cm
Efficient Piece with the video “Matts Handwriting, 2013”, 2014
Swivel arm, 19’’ screen, computer and Hd video (color, sound) 11'34''
Video still from Matts Handwriting, 2013
Hd video. 11'34''
13 Differences, 2012
Two prints of 10 x 15 cm and 40 x 20 cm methacrylate
13 Differences, 2012
Inefficient Piece No. 1, Another Painless Encounter, 2014
Wachmann WA-20 helmet, wall mount for helmet and pizza dough
Efficient Piece with 1 TB External Hard Drive with Lost Information from 2010 until 2013, 2014
1TB External Hard Drive with lost information from 2010 until 2013
Installation view, Easy. Complicating speech, without the or a, 2012
At Nivell Zero, Fundació Suñol. Barcelona
Installation view, Easy. Complicating speech, without the or a, 2012
At Nivell Zero, Fundació Suñol. Barcelona
Installation view, Easy. Complicating speech, without the or a, 2012
At Nivell Zero, Fundació Suñol. Barcelona
Installation view, Easy. Complicating speech, without the or a, 2012
At Nivell Zero, Fundació Suñol. Barcelona
Installation view, Easy. Complicating speech, without the or a, 2012
At Nivell Zero, Fundació Suñol. Barcelona
Installation view, Easy. Complicating speech, without the or a, 2012
At Nivell Zero, Fundació Suñol. Barcelona
Installation view, Easy. Complicating speech, without the or a, 2012
At Nivell Zero, Fundació Suñol. Barcelona
Installation view, Easy. Complicating speech, without the or a, 2012
At Nivell Zero, Fundació Suñol. Barcelona
Video still from Com un llum!, 2012
HD video. 11'14''
Video still from Informational circuit, 2011
HD video. 13'30''
Video still from Gyroscope chroma, background, figure and reference, 2012
HD video. 10'04''
Video still from Unrendered, fundamental dyslexia, 2010
HD video. 13'09''
Video still from Por la boca muere el pez, 2009
PAL video. 11'01''
Video still from Huida Salvaje, 2010
PAL video. 11'48''
Video still from Huida Salvaje, 2010
PAL video. 11'48''
Olot paga, Olot multa, 2006
Museo Comarcal de la Garrotxa. Exhibition view
Curated by Esther Ribot
Olot paga, Olot multa, 2006
Museo Comarcal de la Garrotxa. Exhibition view
Curated by Esther Ribot
Video still from Olot paga, Olot multa, 2006
PAL video. 0'36''
Robar un arbre, 2024
HD video. 0'06''
[Work No. 42]
Downloadable Typefaces
Helvetica WoW (Blood-Snow), 2025
ttf file: [Bold]
Candy Charcoal, 2024
otf file: [Regular]
Perforated Untitled Font, 2019
ttc file: [Regular]
Untitled Font (Roboto, SF Pro and Segoe UI), 2018
otf file: [Regular]
Drunk Arial, 2016
otf files (ZIP): [Regular, Italic and Bold]
3D Models
Performing Attachments, (2014 - ongoing)
ricardotrigo@ub.edu
Last update, 05.01.2026